4/2/2023 0 Comments Twilight zone themeThe original Twilight Zone was produced between 19.ĬBS produced a new series of the Twilight Zone in 1985 with a new title theme composed by the Grateful Dead and episodic music scored by the Grateful Dead, individual members of the Dead and Merl Saunders. This album is dedicated to the memory of Rod Serling and Jerry Garcia, two men who have gone beyond The Twilight Zone far too soon. The album carries the following dedication Thanks to - Marty Garcia, Leslie Berra, Cindy Badell-Slaughter, Stephen Davison and the UCLA Music Library, Tim Edwards, Robert Drasnin and the staff at CBS Entertainments and CBS Broadcast International.Digital editing and mastering - James Nelson at Digital Outland and Bob Fisher at Digital Domain.Music composed, produced and performed by - The Grateful Dead and Merl Saunders.The musicians primarily involved are Ĭlearly other musicians are involved on some tracks. incorporating 'Hold On To That Feeling' composed by Evy McPherson, Merl Saunders and Marina Zachauĭetailed musician information is not provided with the CD release of the music.incorporating the original Twilight Zone Theme composed by Marius Constant.The Twilight Zone '85 End Credits (Grateful Dead) (1).Kentucky Rye - Part III (Grateful Dead / Merl Saunders).Kentucky Rye - Part II (Grateful Dead / Merl Saunders).Kentucky Rye - Part I (Grateful Dead / Merl Saunders).Suite From 'The Misfortune Cookie' (Merl Saunders). ![]() ![]() Suite From 'The Shadow Man' (Grateful Dead) (2).Suite From 'Nightcrawlers' (Merl Saunders / Philip DeGuerre / Grateful Dead ). ![]() The Twilight Zone '85 Main Title (Grateful Dead) (1).The Twilight Zone (Volume 1) - Original Soundtrack from the TV series Grateful Dead and Merl SaundersInitial release : September 1998 ![]() It is too long for its own good, except from the standpoint of Herrmann completists, who will love it.Grateful Dead Family Discography: The Twilight Zone (Volume 1) - Original Soundtrack from the TV series tracks The recording is excellent, and the performance perhaps a bit too serious, which is ironic since, as a substantial body of music, this lengthy set doesn't hold up. It is possible, listening to this material, to discern his further use of such works as Gustav Holst's "The Planets," whose influence could be felt in his music for Alfred Hitchcock's The Trouble with Harry, and it's easy to admire the man's inventiveness and creativity. Much of the rest, although often very interesting, is simply not that good as music - Herrmann did as bidden and created very effective, surprising, even otherworldly scores for "Little Girl Lost" and "Living Doll," using instruments such as harps, guitars, and bassoon with great facility, but these still aren't remotely of the quality of his film scores of the same era. Of all the music here, Herrmann's score for the episode "Walking Distance" holds up the best, a sweetly elegiac ode to passing youth and passing time that stands on its own. During the 1980s, anyone suggesting such an idea to most record labels would have been shown the door in a less than polite manner, but Herrmann's music seemed to sell as the 20th century drew to a close, and the continuing interest in The Twilight Zone didn't hurt. One is grateful for the very notion that a 1990s recording was made of seven of Bernard Herrmann's scores for the Twilight Zone series from the early '60s.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |